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At St. Basil's Cathedral on Red Square during my
first trip to Russia. |
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During a subsequent trip I came close to causing an
international incident. One of the buildings behind this warehouse on an
air base where I was shooting humanitarian aid supplies was a KGB
building. The officer we got permission to shoot from (who sent these
soldiers as escort) wasn't high enough on the totem pole and it caused a
big stink. |
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Taping Josh McDowell in Moscow. |
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At the killing fields outside Phnom Penh in Cambodia.
These holes were mass graves. Approximately 100 bodies were found in each.
A very sobering day indeed. |
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The Li River valley near Guilin, China. I always
thought the strange, Dr. Suess-like formations in Chinese art were
impressionistic. But these hills are all over this river valley. It's
breathtaking. |
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Guilin (pronounced: Kwaa - Lin), China. The garden
spot of China. It is a place they are proud of, and rightfully so. It's a
beautiful area. But the level of the culture was at poverty level or just
a notch above. |
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Willemstad, Curacao, birthplace and childhood home of
my wife, Esther. |
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A cove on the western end of Curacao. As beautiful as
it is above the water, the underwater panorama of coral and sea life is
even more astonishing. I snorkled for hours in this cove without ever
looking up. |
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The day Lenin came down in Bucharest, Romania. Camera
is the Ikegami HL-53 w/Betacam-SP back that I shot hundreds of hours of
tape with over the years. |
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They started taking this statue down the night
before. I was standing there in the dark, watching the spot-lit statue and
crew working on it when I realized that Ted Koppel was standing next to
me. He and his crew got tired of waiting and left. The next morning we got
the shots and they missed it. |
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In a Manila slum. It's a strange feeling to be in the
middle of third-world poverty with a $35,000.00 camera on your shoulder. I
have to keep telling myself that in the long run the best I can do for
them is show their story. And to do that I need the camera. |
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An unusual shoot location: a bath house (banya) in
Almaty (formerly Alma-Ata), Kazakhstan. With water everywhere, bare feet,
and 220v lights, one is VERY careful! |
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First trip to what was then the Soviet Union. This
was somewhere in the environs of Kiev, Ukraine. |
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In a Russian Flat in St. Peterburg. The lighting
setup was typical of the rushed setups that are the norm with documentary
video. Soft lights "butterflyed" in from either side and the window light
doing the backlight kicker. For one or two people w/no window, one of
these umbrellas would be closer to the camera as a key light and the other
would be quartering from the back side as a kicker. Or a small direct
light would be barn-doored down and used as a backlight. |
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In the middle of Mostar, Bosnia. Looks beautiful, but
was very dangerous. The Canon L-1 was about as good as Hi-8 got, but DVC
blew it away when it came along. The small size was vital as I often had
to hide the camera. |
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In front of Ceaucescu's unfinished palace in
Bucharest. With me is my former boss, Paul Read, managing director of
Arrowhead Productions International, and Josh McDowell. Camera is a now
ancient (and heavy!) Sony BVP-30, one of the original Betacams with
tubes. |
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At sea on the aircraft carrier, USS Ranger. This
shoot happened while the warship transited from Pearl Harbor to San Diego.
What a trip! And my first forray into journaling. (Click on "journals"
above to view it) Cam is the BVP-30. We rigged a couple of big backpacks
to hold all our lights, etc. so we could move from place to place on the
ship up and down ladders in one trip. |
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And somehow one must find time to keep up with the
latest in the trade magazines. This can often lead to catching up with the
backside of one's eyelids - something one often does without in this
business. |